Diary Of A Hollywood Refugee

Wednesday, May 14, 2008

WTF are they thinking??

I have no idea why so many dumb asshats are paid too much money to keep making bad decisions at the Networks:

CBS
"Shark" - CANCELLED. *sighs* Stellar cast, well written. Yupp - that's a reason to cancel it!

"The Unit" At least Moonves had the brains to pick up "The Unit" for another season. However, his intelligence is limited : it's looks to be slotted at the worst possible time and night: Friday, 9 pm.

ABC
"Men In Trees" one of the networks most heartwarming, endearing shows -- CANCELLED. Maybe if the ASSHATS at ABC hadn't moved the show SIX times and made it endure two LONG hiatus, the show's ratings could have increased. The final few episodes will air starting May 28th. and a special series finale has already been shot.

"Women's Murder Club" - CANCELLED. *sighs* Asshat-ness runs amok at ABC.

"Eli Stone" - someone at ABC had a momentary flash of genius and renewed "Eli" for a second season.

FOX
"New Amsterdam" - CANCELLED. *sigh* I am at a loss for words. I 'm mourning the death of the once immortal John Amsterdam.

"Sarah Conner Chronicles" *grrrr* They bury John Amsterdam, but resurrect that boring over produced, uber expensive, badly written, badly acted, piece of recycled garbage. FUCKING ASSHATS!!


Tuesday, May 13, 2008

I Hope They Serve Beer In Hell

In the summer of 2006 - while staying at the home of one of my dearest and closet friends, the absolutely fabulous Max Wong, Producer of the uber successful " Bring It On" - I had the pleasure to meet the iconic baudy- meister - Tucker Max.

He's was very charming, and much better looking in person than the photo of him on his website.

For those of you living under a rock, here's all you need to know about Tucker from The Hollywood Reporter:

Tucker Max will adapt his bawdy best-seller "I Hope They Serve Beer in Hell" into a big-screen comedy with director Bob Gosse.

"Hell," now No. 12 on the New York Times best-seller list after a three-year run, chronicles Max's alcohol-fueled true adventures. The film will follow his trip to a friend's bachelor party, where he ensnares the groom in a lie that threatens the wedding, then abandons him to pursue further carnal knowledge. After being banned from the nuptials, Max attempts to get back into his friend's good graces.

Pinkslip Pictures' Max Wong ("Bring It On") and Karen Firestone will produce with the Collective's Aaron Ray ("Big Momma's House"), Max and co-screenwriter Nils Parker. Gosse previously helmed "Niagara Niagara."

Max rose to fame after launching TuckerMax.com in 2002, garnering millions of unique site visitors to read his short stories and a $300,000 advance for his Penguin Books memoir.

But Max's road to the screen has been a long one. In 2003, he sold a TV pilot based on his site and book to Fox and then NBC, but rights quickly reverted back to him after a regime change. Three years later he sold the show to Sony, and Comedy Central bought the pilot, but the deal was canceled after a dispute with Sony about feature film rights.

Film is set to shoot in Shreveport in June.

Tucker is fan of citizen journalist Michael Yon and has done much to support our Troops.

Casting has begun ---- and while no one has been set to play Tucker---a certain Hotty McHotty ( sorry I've been sworn to secrecy!!) is all but set to play the character of Slingblade.
I've decided to call Hotty McHotty "Campbell" because he is Mmmm Mmmm Good :>)


Related:
tuckermax.com
The Tucker Max Message Board: This place defies any sort of description! Enter at your own risk!!

Saturday, May 03, 2008

Think About It......

If you have food in the refrigerator, clothes on your back, a roof overhead and a place to sleep... you are richer than 75% of this world.

If you have money in the bank, in your wallet, and spare change in a dish someplace........ you are among the top 8% of the worlds wealthy.

If you woke up this morning with good health..... you are more fortunate than the million who will not survive this week.

If you have never experienced the danger of battle unfolding all around you, the loneliness of imprisonment, the agony of torture, or the pangs of starvation... you are ahead of 500 million people in the world.

If you can attend a church meeting without fear of persecution, harassment, arrest, torture, or death... you are more blessed than three billion people in the world.

If your parents are still alive and still married...you are very rare, even in the United States & Canada.

If you can read this message, you are more blessed than over two billion people in the world that cannot read at all.

COUNT YOUR BLESSINGS!

Friday, May 02, 2008

What if.....

the hokey pokey is really what it's all about???

Hey IQPC ..... I C U :>)

Tuesday, April 22, 2008

TOLD YOU SO!! Agenda driven film FLOPS!!!

I wrote this piece "Spotlight on Iraq Themed Films Fades to Black" in SEPT 2007 after attending the Toronto Film Festival in which I spotlighted Nick Broomfield's agenda driven lied filled, hate filled polemic on the Haditha Marines:

Director Nick Broomfield of "Battle for Haditha" told Reuters

"I think there was a hope until about two years ago that there might be a way forward, that democracy was going to work, and I don't think anyone has that belief anymore. We need to look at things in detail to make informed decisions."

But Bloomfield makes no bones about his intent: he wants to persuade the US government to pull troops out of Iraq.

"It’s the runup to the American election so it’s an important time to influence the American public now in a way that goes beyond the television news."

Quoting Broomfield

"I hate the way they join the army and they turn into killing machines, but you can’t blame the marines. If you teach a dog to be an attack dog, which is what they are, don’t be surprised when they attack."

Someone needs to tell this dolt, that the Marines do not join the Army- they join the Marine Corps!

While Broomfield insists that his film "Battle for Haditha"

"doesn’t truly vilify anyone, not the men who plant the bomb nor the jittery soldiers who commit a terrible crime in a moment of madness"

that statement more than implies that Nick has followed in the footsteps of John Murtha indicting the Haditha Marines of murder despite the fact that at least three Marines had all charges dismissed against them when exonerated by the evidence; that the evidence against another Marine remains inconclusive, and that based on the evidence gathered, all charges against the remaining Marines will more than likely be dropped.

It's utterly inconceivable to me that after hearing Broomfield's comments, Elliot Ruiz and Eric Mehalacopoulos, two actors in the film, both former Marines who had tours of duty in Iraq, can honestly believe that the Marines have been fairly represented in this film and that "Nick didn't take sides" .

While these films, particularly"Battle for Haditha" have received some critical kudos, look for the lackluster response at The Toronto Film Festival to ensure an even more lackluster, if not dismal, response at the box office.

Today, Bruce Kessler at Democracy Project reports:
The liberal British film award panel for the Index on Censorship Freedom of Expression Awards decided to eliminate “Battle for Haditha” because of the inconvenient truth that it is a lie that the Haditha Marines were guilty of an atrocity. As reported by one of the judges in the Guardian:
But a judge enlightens us that charges against some of the soldiers have recently been dropped. With a QC [Queens Counsel: “Barristers of at least ten years standing may apply to become queens counsel. QCs undertake work of an important nature”) on the judging panel this became a vote-changing issue.
David Allender interviews the lead actor, chosen by Broomfield because he is a former Marine who fought in Iraq so as to lend credence to the film. The lead actor claims, “The film is definitely a fictional portrayal.” Allender follows up: “I can’t speak for the Wuterich family, obviously, but I think they’d probably appreciate it if you stressed to the media that this is not a true story.”

More from Democracy Project here.

Well, if it's not a true story - then why bother to make a movie using a docu-drama style that implies strongly this did happen?? Nick decided the events were true, and portrayed them as such, because that narrative served his political agenda and as he admitted he wanted to affect the outcome of the US election and the war! And while I do agree that the film does provide three points of view -"3 sides to one story" -- the reality is that there is only ONE side --the alleged massacre never occurred!


Bottom Line:
American movie audiences could care less about, and are fed up, with the long list of manipulative left wing agenda based excessively violent Iraq themed films that endlessly disparage our brave men and women serving in the Military, many of whom have had several tours of duty in Iraq, and dishonor those who have paid the ultimate price.

My Gut:
A feel good
, kick our enemies ass, true story about the brave actions of our soldiers & Marines will be much better received. Just ask Michael Yon.

According to Variety, it appears that Hollywood producer James Jacks concurs:

Producer James Jacks ("The Mummy" series) thinks audiences might go for war movies that presented soldiers as more heroic. From a military family, Jacks knows many veterans. In Hollywood's Iraq films, he says, "either the soldiers are victims or criminals doing something terrible like 'Redacted' or victims like 'Home of the Brave' or 'Stop-Loss.' But for most soldiers, it's about making sure their teammates get out alive. The best movies are about a single unit on a single mission. Otherwise movies get too big, into sweeping issues of politics and morality.

Tuesday, April 08, 2008

Not Ready To End The Fight

Cpl. David Thibodeaux (active duty U.S. Marine, musician, father, husband, and combat veteran of both Afghanistan and Iraq) along with Toby Keith's Easy Money Band eloquently and cleverly answer the Dixie Chicks' hit "Not Ready To Make Nice" with: "Not Ready To End The Fight"

Buy this song, and learn more about David on his website: DavidThibodeauxmusic.com
You can sign his guestbook here:

Below is the video for those who don't want to click over to You Tube:




While there are some- including a certain Presidential Candidate- that want to surrender to terrorists and make nice to those who have VOWED to bring Sharia law to our shores or kill us, there are many more who - along with Marine David Thibodeaux - are NOT READY TO END THE FIGHT.

SEMPER FI !!

Related:
Shut Up & Sing
I Can No Longer Remain Silent
The Actor & The Mullahs
The Actor & The Mullahs: Redux
The Actors & The Communists

Thursday, March 27, 2008

Troops Honored on Celebrity Apprentice

The Intrepid Fallen Heroes Fund received a huge donation and our troops were honored on The Celebrity Apprentice. The Intrepid Heroes Fund is Piers Morgan Charity....he had several soldiers wounded troops attend the final show live in NYC, and others attended the celebrity charity event. The heartfelt reception that these wounded, brave troops received was overwhelming.

Piers became The Celebrity Apprentice, and as such the Donald donated $250K to Intrepid Heroes Fund. Piers won 11 challenges - each time he won, The Intrepid Heroes Fund received a large donation.

Live Online Auction
You now have the opportunity to bid on items seen on this season's Celebrity Apprentice. All proceeds from the online auction go directly to Piers Morgan's selected charity, Intrepid Fallen Heroes Fund, a not-for-profit organization that provides support for the families of military personnel lost in service. For a complete list of the items up for auction, please visit www.nbc.com/auctions. The auction runs from March 27th through April 3rd.

And lets' not forget Country/Western superstar, Trace Adkins, a gentlemen of integrity with a heart of gold and a beautiful soul, whose charity, FAAN is very personal. His daughter suffers with life threatening food allergies.

iTunes
Celebrity Apprentice Finalist, Trace Adkins, will be performing his hit single, "You're Gonna Miss This" live with his band during the finale. For two weeks only, you can download the charity single exclusively at iTunes.

All proceeds for the entire two weeks lifespan of the download will go to Trace's chosen charity, FAAN (Food Allergy & Anaphylaxis Network). FAAN is the largest charity in the world dedicated to helping and advocating for the 12 million who suffer from food allergies.

Congrats to both Piers & Trace, who raised the profiles of their charities, while raising hundreds of thousands of dollars.

Tuesday, March 25, 2008

Open Letter to Senator Obama

Eloquently written, powerful & evocative.


Dear Senator Obama:

I have now read and reread your speech, understanding you take this to be a “teaching moment,” I have applied myself to its lessons. But some questions have arisen and I need a little more clarification.

You tell me Reverend Jeremiah Wright’s horrendous remarks will take on a different meaning if I will but contextualize them and understand he has seen terrible things in his time, a burden shared by all African-Americans. A fair proposition; from Kant to Auden and beyond we learn we define by comparison and only by internalizing can we grasp true meaning. So I have done precisely that: looked inside myself to understand how hatred might need to be contextualized.

I did not have to look far. I remembered how, as a boy, I sat at the Passover Seder with my sister’s Polish-born husband and the remnants of his family. The remnants of five families to be precise, for the 12 weary souls around that table were all that remained of what had once been 300. The others – their loved ones, their sons, their daughters, their hopes and dreams – were gone, their lives consumed by zyklon-b gas, their mortal remains wisps of smoke from a Büchenwald chimney. These people, who had seen and suffered so much, read of my ancestor’s deliverance from Egypt exactly as the Bible instructed: in the present tense, as if it happened to them. “For with a mighty hand the Lord thy God raised thee out of Egypt and brought you from slavery to freedom.” But as they spoke – or really whispered such was the fear and holiness of the moment – they were not conjuring up Egyptian slavery as a present experience but recalling the horrors they themselves had witnessed, murder on a scope once unimaginable and only made possible by perverted technology. Though their Yiddish was foreign to me, I picked up the odd word. When they spoke of the Concentration Camp guards, they called them the Ukrainians. When they remembered the betrayal of their neighbors, I could distinguish the word Pole. But above all, it was the Germans, the hated Germans. The Hun. The Devil’s Scourge. And I was filled with a righteous hatred. Had I, in that moment, the power to end the life of every German on earth, I might have well done so. That is a shameful thought. I am humiliated by the memory. But perhaps, in context, you can understand my homicidal rage and forgive me, and should I have chosen to preach that doctrine in a place of worship and stir an audience to its feet as it cheered my righteous fury, I trust you would offer me the fig leaf of “context.”

As the Seder ended, my brother-in-law, seeing my rage, put his arm around my shoulder and asked what troubled me. I stammered the best explanation I could. He smiled, “Don’t be a fool,” he said, “the Germans left so many of us dead and stole the joy from so many that remain. So now you want to give them the final victory by allowing your own life to be consumed and twisted and deformed by the same hatred? Leave it to them. That’s why we, at this table, forgive. Not forget, but forgive. You just heard how Moses told the Israelites not to celebrate the death of the Egyptians in the Reed Sea. Learn.”

But his words were empty to me.

A few years later, work on a particular film took me to Munich, and as I drove past the road signs to Dachau, past Hitler’s favorite spot, “The English Gardens,” to my suite at the Bayerischof Hotel (where The Fuehrer himself once stayed) I was physically ill. I couldn’t stand to hear the German tongue, nor bear to see Germans smile, and when I noticed a man in traditional Bavarian dress I again felt my homicidal anger rise. I survived that trip, came back to the safety of my blessed America, promising never to return to part of the world that was home to alien races who had destroyed so many people just like me.

Sometime after that, I was invited to participate on a panel on “Hollywood and Stereotypes” sponsored by the American Jewish Committee and the Konrad Adenauer Foundation. It was against my instinct, but a good friend had asked I participate and so I did. It began with a clip from Hollywood movies picturing stereotypical Germans and ended with the famous moment in Casablanca where the French stand and sing “La Marseillaise”. What a crock, I thought, Senator! After all, the short story upon which the film was based was set in Marseilles where the French were happily arresting Jews for transport to their own concentration camp at Drancy. Besides France had yet to apologize for her diligent rounding up and deportation of Jews even after the successes of D-Day. And yet they considered themselves victims which meant never having to say they were sorry. My first co-panelist to speak was a young woman, a German filmmaker. She spoke of how growing up as a German she felt ashamed and humiliated whenever it was necessary to admit her lineage and how her life was about working to ease her shame. It was pure self-hatred. Senator, by some strange alchemy I heard myself explaining to her the mantle of guilt did not fall upon the shoulders of her generation. In fact, I found myself describing Germany’s honest attempt to come to terms with the horrors committed in its name. I spoke of all the things they had done from which the French, the Ukrainians, the Poles had run. How they taught in their schools the truth of their actions, how they policed their civil society and punished words or acts that had echoes of that time, how they worked tirelessly to make reparation to those survivors not stamped out by their hobnailed boots. They had sought atonement. That is not say anti-Semitism and anti-Semites did not persist in Germany. Of course they did, as they do everywhere. But they are no longer the soul or intent of the German nation, they are seen for the abhorrent aberration they truly are. Mind you, Senator, the “new” Germans did not ask for forgiveness; they knew this was not within the power of humankind and could only be given by the grace of God. They acted out their atonement from pure understanding of what had gone before.

And in that instant I realized my hatred was unjustified. The “context” was false. I was nursing the anger for my own psychic advantage and not because the current state of humanity or my own experience gave it justice. And I shed my anger. And when another film project took me to Germany, my journey was completely different. I’m not saying as I sat in the lobby of the Hotel Vier Jahreszeiten Kimpinski in Munich I couldn’t help but imagine it filled with SS Officers enjoying the fruits of their murdering conquest. Of course I did. But I also understood the young Germans around me could not be held to that account. When one of my colleagues, also Jewish, made a derogatory remark I engaged him, and with surprising ease found he agreed it was time to let go. I threw away the comfort of context, spoke the truth to him. And it freed me. Now, this is not true for all Jews, Senator; some still dwell on that bitterness, and you would say, understandable, given the “context.” Perhaps. But they are not our soul or intent. They are a past generation and we do not look to them for leadership. We teach redemption. We try to hold them to some form of account.

That is the teaching opportunity I hoped you would evoke: not explaining Wright’s outrage to me, but explaining his outrageousness to him. That’s how we’ll reach the postracial era: by no longer justifying ourselves with what was, instead speaking to what now exists. Not deny the past, but recognize that’s what it is: past.

You say you are devoted to Reverend Wright because he brought you to Christ. I can only imagine how powerful a relationship that forges. But, my imperfect understanding of the Christian Faith tells me you can do him an equally magnificent service: You can help bring him back to Christ. Show him redemption and salvation lie not in the satisfaction of doing little dances in a pulpit while you slander good and decent people. Teach him that great leadership and Christian love abjures the very filth – and I pick that word deliberately – that he spews on an apparently regular basis. After all, Senator, you know our government did not invent the HIV virus to kill African-Americans. You know, Senator, this is not the United States of KKK America. You know the truth of 9/11. At least you should. Both you and Michelle have benefited mightily from the new spirit that has come to America in the last two generations. I thought you were part of that. I thought you were post-racial.

But in your silence, in your justifications, in your facile instruction to contextualize, you seem just a more presentable version of those dreary self-promoters, Sharpton, Jackson, Bakewell and the rest. Surely this is not you. Please, Senator, be brave. Lead. From a position of honesty where context is our daily reality, not drawn from bitter memories, no matter how justified they once might have been. Deny Jeremiah Wright your comfort of “context”. Be Presidential. To all Americans.

Yours sincerely, and in prayer for the Grace of God,

Lionel Chetwynd

PS – I would like to discuss your stereotyping of “typical” white people whose only valid dissatisfaction is apparently the occasional irritation at the misuse of affirmative action. But enough for now. Perhaps another time.

Lionel Chetwynd is an Oscar and Emmy Award nominated filmmaker living in Los Angeles.


H/T: Pajamas Media

Tuesday, March 18, 2008

R.I.P. Anthony Mingella

Oscar-winning director Anthony Minghella, who turned such literary works as "The English Patient," "The Talented Mr. Ripley" and "Cold Mountain" into acclaimed movies, has died. He was 54.

Very Sad. He was a brilliant director.

Read more here

Sunday, March 16, 2008

War Torn

About Iraq, John Burns gets it right:


FIVE years on, it seems positively surreal.

On the evening of March 19, 2003, a small group of Western journalists had grandstand seats for the big event in Baghdad, the start of the full-scale American bombing of strategic targets in the Iraqi capital. We had forced a way through a bolted door at the top of an emergency staircase leading to the 21st-story roof of the Palestine Hotel, with a panoramic view of Saddam Hussein’s command complex across the Tigris River.

(...)

It was not long, of course, before events in Iraq began giving everybody cause to reconsider. On April 9, the day the Marines entered Baghdad and used one of their tanks to help the crowd haul down Saddam’s statue in Firdos Square, American troops stood by while mobs began looting, ravaging palaces and torture centers, along with ministries, museums and hospitals. Late in the day, at the oil ministry, I discovered it was the only building marines had orders to protect. Turning to Jon Lee Anderson, a correspondent for The New Yorker who had been my companion that day, I saw shock mirrored in his face. “Say it ain’t so,” I said. But it was.

(...)

The harsh reality is that many Iraqis, at least by the time of the two elections held in 2005, had little zest for democracy, at least as Westerners understand it. This, too, was not fully understood at the time. To walk Baghdad’s streets on the voting days, especially during the December election that produced the Shiite-led government now in power, was inspiriting. With 12 million people casting ballots, a turnout of about 75 per cent, it was natural enough for President Bush to say Iraqis had embraced the American vision. In truth, what the majority produced was less a vote for democracy than a vote for a once-and-for-all, permanent transfer of power, from the Sunni minority that ruled in Iraq for centuries, to an impatient, and deeply wounded, if not outright vengeful, Shiite majority.
(...)

American hopes are that Iraqis, with enough American troops still present to stiffen the new Iraqi forces and prevent a slide backward toward all-out civil war, will ultimately tire of the violence in the way of other peoples who have been plunged into communal violence, as many Lebanese did during their 15-year civil war. Those hopes have been buoyed by a reduction in violence in the last year that can been traced to the American troop increase and to the cooperation or quiescence of some previously militant groups, both Sunni and Shiite.

They are hopes shared by many ordinary Iraqis. Opinion polls, including those commissioned by the American command, have long suggested that a majority of Iraqis would like American troops withdrawn, but another lesson to be drawn from Saddam Hussein’s years is that any attempt to measure opinion in Iraq is fatally skewed by intimidation. More often than not, people tell pollsters and reporters what they think is safe, not necessarily what they believe. My own experience, invariably, was that Iraqis I met who felt secure enough to speak with candor had an overwhelming desire to see American troops remain long enough to restore stability.

Read: War Torn - Looking Back At Five Years

Monday, March 03, 2008

Staying to Help in Iraq: Angelina Jolie OP ED


We have finally reached a point where humanitarian assistance, from us and others, can have an impact.

By Angelina Jolie
Thursday, February 28, 2008; 1:15 PM

The request is familiar to American ears: "Bring them home."

But in Iraq, where I've just met with American and Iraqi leaders, the phrase carries a different meaning. It does not refer to the departure of U.S. troops, but to the return of the millions of innocent Iraqis who have been driven out of their homes and, in many cases, out of the country.

In the six months since my previous visit to Iraq with the United Nations High Commissioner for Refugees, this humanitarian crisis has not improved. However, during the last week, the United States, UNHCR and the Iraqi government have begun to work together in new and important ways.

We still don't know exactly how many Iraqis have fled their homes, where they've all gone, or how they're managing to survive. Here is what we do know: More than 2 million people are refugees inside their own country -- without homes, jobs and, to a terrible degree, without medicine, food or clean water. Ethnic cleansing and other acts of unspeakable violence have driven them into a vast and very dangerous no-man's land. Many of the survivors huddle in mosques, in abandoned buildings with no electricity, in tents or in one-room huts made of straw and mud. Fifty-eight percent of these internally displaced people are younger than 12 years old.

An additional 2.5 million Iraqis have sought refuge outside Iraq, mainly in Syria and Jordan. But those host countries have reached their limits. Overwhelmed by the refugees they already have, these countries have essentially closed their borders until the international community provides support.

I'm not a security expert, but it doesn't take one to see that Syria and Jordan are carrying an unsustainable burden. They have been excellent hosts, but we can't expect them to care for millions of poor Iraqis indefinitely and without assistance from the U.S. or others. One-sixth of Jordan's population today is Iraqi refugees. The large burden is already causing tension internally.

The Iraqi families I've met on my trips to the region are proud and resilient. They don't want anything from us other than the chance to return to their homes -- or, where those homes have been bombed to the ground or occupied by squatters, to build new ones and get back to their lives. One thing is certain: It will be quite a while before Iraq is ready to absorb more than 4 million refugees and displaced people. But it is not too early to start working on solutions. And last week, there were signs of progress.

In Baghdad, I spoke with Army Gen. David Petraeus about UNHCR's need for security information and protection for its staff as they re-enter Iraq, and I am pleased that he has offered that support. General Petraeus also told me he would support new efforts to address the humanitarian crisis "to the maximum extent possible" -- which leaves me hopeful that more progress can be made.

UNHCR is certainly committed to that. Last week while in Iraq, High Commissioner António Guterres pledged to increase UNHCR's presence there and to work closely with the Iraqi government, both in assessing the conditions required for return and in providing humanitarian relief.

During my trip I also met with Iraqi Prime Minister Nouri al-Maliki, who has announced the creation of a new committee to oversee issues related to internally displaced people, and a pledge of $40 million to support the effort.

My visit left me even more deeply convinced that we not only have a moral obligation to help displaced Iraqi families, but also a serious, long-term, national security interest in ending this crisis.

Today's humanitarian crisis in Iraq -- and the potential consequences for our national security -- are great. Can the United States afford to gamble that 4 million or more poor and displaced people, in the heart of Middle East, won't explode in violent desperation, sending the whole region into further disorder?

What we cannot afford, in my view, is to squander the progress that has been made. In fact, we should step up our financial and material assistance. UNHCR has appealed for $261 million this year to provide for refugees and internally displaced persons. That is not a small amount of money -- but it is less than the U.S. spends each day to fight the war in Iraq. I would like to call on each of the presidential candidates and congressional leaders to announce a comprehensive refugee plan with a specific timeline and budget as part of their Iraq strategy.

As for the question of whether the surge is working, I can only state what I witnessed: U.N. staff and those of non-governmental organizations seem to feel they have the right set of circumstances to attempt to scale up their programs. And when I asked the troops if they wanted to go home as soon as possible, they said that they miss home but feel invested in Iraq. They have lost many friends and want to be a part of the humanitarian progress they now feel is possible.

It seems to me that now is the moment to address the humanitarian side of this situation. Without the right support, we could miss an opportunity to do some of the good we always stated we intended to do.

Angelina Jolie, an actor, is a UNHCR goodwill ambassador.


Nothing more need be added. She gets it, where others on the left, including the majority of the Hollywood unintelligentsia, don't, never have and never will.

Tuesday, February 26, 2008

Alive Expo Green Pavilion : Redux


Event Producer Kim Shimmel holds
Oscar winner in her hand.

Peter and The Wolf
Best Animated Short
Hugh Welchman, Producer

Kim Shimmel
Event Producer
Alive Expo Green Pavilion









Related:
The Oscar Goes To.................Alive Expo Green Pavilion!
Sundance: Ski & Schmooze 2008

Monday, February 25, 2008

Boots On The Ground: Teflon Don

The situation in Iraq is far too complex to be represented by one voice.
Sound byte journalism serves an agenda....not the truth.

"Teflon Don"
served in Iraq:

I learned some things the last time I was in Iraq- I learned of courage, and brotherhood. I learned that there is no glory in war- there are few heroes, and many decent, ordinary men too stubborn to realize that their actions are irrational, dangerous, and, well… heroic. I learned of emotional agony and of empathy; I also learned how to be callous. I learned how to tell someone with your eyes that you would kill him if he didn’t cave. I lost some timidity, and gained self-respect. The war did not make me a man- rather; I learned through the war some essential elements of manhood.

Now's he's back again, not as a soldier, but as a citizen journalist embedding with troops.
It's great to read his boots on the ground coverage about the reality in Iraq.

The situation in Iraq is far too complex to be represented by one voice through sound byte journalism which only serves an agenda, not the truth.

As a soldier he served his country in Iraq, and as a citizen journalist he is once again serving his country in Iraq.

Sunday, February 24, 2008

Operation Homecoming:Writing The Wartime Experience

Richard Robbins, just walked down the Red Carpet with actor Josh Lucas. Richard directed the impressive evocative Oscar nominated documentary" Operation Homecoming: Writing The Wartime Experience".


From IMDB:

A unique documentary about troops' experiences in Iraq and Afghanistan, based on writings by soldiers, Marines, and air men. Some writings were published in the New Yorker in summer 2006. A larger assortment was published as a book by Random House last September. The film drew upon the submissions by soldiers for the book. It's a remarkable portrait of troops at war - the complexities, doubts, and fears - written with honesty. The 81-minute version of the film (which will be in theatres) includes 11 pieces of writing, with different visual strategies, along with interviews with the writers, and with more established American writers who are also veterans. In the latter group are Tim O'Brien, Yusef Komunyakaa, Tobias Wolff, Joe Haldeman, James Salter, Anthony Swofford, Richard Currey, and Paul Fussell. The visual approaches range from poet Brian Turner reading directly to camera, to archival footage, to an animated "graphic novel," to a still photo sequence shot by photographer Antonin Kratochvil. It's rooted in a program by the NEA that created a series of writing workshops at military bases. After those workshops, the writers submitted pieces for consideration in the book, edited by Andy Carroll. From those writings were selected 11 for inclusion in the film. There is also a 53-minute version of this film which will be airing on PBS as part of the series "America at a Crossroads" in April, 2007. Both of these are different from the other film 'Operation Homecoming" from 2007, directed by Lawrence Bridges. That piece was produced by the NEA as a documentary about their writing workshops


I hope this Documentary wins. Our troops deserve to have an unbiased, honest, emotional, evocative film win an award from the Hollywood community.

Thank you to: Robert Duval, Josh Lucas, Aaron Eckhardt, Christopher Gorham, Justin Kirk, Peter O'Meara & Blair Underwood, who contributed their talents to this project.

Good Luck, Richard!!